This past spring, a deacon at my church who had read The Shack was so impressed by it that he decided to conduct an adult education class on the book. I was curious about what kind of novel would prompt a class at church, so I checked it out on the web. The Shack is, first of all, a publishing phenomenon. According to what I’ve read, the author, William Young, could not find a publisher and decided, as many writers do nowadays, to publish it himself. It’s now an international best-seller; copies have sold in the tens of millions. I’m sure that’s an inspiration to all aspiring writers of fiction who seek fame and fortune. I ordered a copy. The day it arrived, I had to run a few errands, some of which involved wait-time, so I took the book with me. Several people I encountered cooed, “Oh, you’re reading that book. It’s wonderful!” and similar stuff.

 

According to web reviews, the book is “controversial,” apparently because of the way the Trinity is presented: God the Father is a middle-aged African-American woman who likes to bake cookies, Jesus goes around in a t-shirt with a tool belt and makes jokes about being “human,” and the Holy Spirit is an Asian woman who wreathes around ephemerally like Tinkerbell in Peter Pan. Evangelical Christians are said to be offended by this presentation, but Evangelical Christians say they are offended by being called “offended,” etc. So it goes with manufactured controversy (which sells books); encouragement to take sides is ubiquitous. As for Catholic reviews, Father Barron of Word on Fire gave his view here:

http://www.wordonfire.org/Written-Word/articles-commentaries/July-2009/A-Catholic-Reads-The-Shack.aspx

My own view is in accord with his. The book is okay, until we’re told—by God, no less—that religion is worthless, that rules and obligations are obstacles to grace; pretty much the theme song of the Reformation. As Father Barron calls him, Young is a disciple of Luther. He has no objections to characterizations, and neither do I.

 

But this put-down of religion is not what caused controversy. Apparently—and disturbingly—everybody agrees with its anti-religion message. What gets people upset is the way the Persons of the Trinity are presented. It’s obvious (to me, anyway) that the film The Matrix impressed Young deeply with its presentation of the head honcho (I’ve forgotten how she’s referred to in the film) as a middle-aged African-American woman who bakes cookies.  In fact, the term “matrix” is used in dialogue many times. I attended one of the sessions of the class. One woman remarked with the sarcasm that intellectual superiority affords, “Well, we all know that God is a white male.”

 

Cookie-bakers don’t bother me; put-downs of the Church do. It’s theologically oxymoronic as well as intellectually impossible to be pro-Christ and anti-Church. Regardless of any emotional reactions the Church evokes, for whatever reasons, you cannot love Christ and hate the Church. You may indeed love a Christ idea, but it’s just that—your idea.

 

And that’s the point. What the character learns from these Persons is the “real” theology, the one that religion would have you ignorant of, which is, in a single word, Relationship. And we’ve got it all wrong when we say that “God is love.” Religion has messed us up. God is not love—Love is god. So who needs religion? As Sophia Mason has pointed out in her blog, the reductionist-evolutionists adhere to the conviction that as we cease to need something, it ceases to exist (like wisdom teeth or body hair, I guess). Young would be as intellectually at home with that crowd as he is socially at home with the secular humanists, who adhere to the conviction that love is god and all we need is each other.

 

Young loves his cable-guy Jesus, a Christ that would be unintelligible to a twenty-first century Tibetan peasant or a twelfth century European king, a Christ that has no catholicity, no universality—and a theology that cannot transcend the space and time which has given it birth and rendered it intellectually fashionable. A vernacular Christ—with a vernacular theology in his tool belt.