In this morning’s Telegraph (UK), Charles Spencer reviews an all-female production of Julius Caesar. Apparently it is set in a women’s prison. He concludes:

“By the time the conspirators have pulled on bright red Marigold gloves to signify their bloodstained hands, and Mark Antony’s great rabble-rousing speech over Caesar’s corpse has been squandered by crass, attention-seeking staging, one begins to feel that it’s not just Caesar who has been murdered but the play itself.”