“Verse in Adversity” – what a fine punning title for this issue!

 

And what a fine issue, even finer than usual on a poetic approach to Creation

Cf. My own book, “A Poetic Approach to Ecology” (Sapientia Press 2004)

 

Editorial by Joe Pearce, outstanding for alliteration

  1. The vacuous vortex of social media, Reflected and refracted glories,

Contemplation and dilation of the mind, A fast food diet of trash and trivia,

The fantasy of virtual reality, the gift of veritable reality, Gadgets… godgets,

Barren and bereft of life, Eliot who embodies the embattled soul

 

We live in an anti-poetic age – how true, even of what passes for “poetry”

The need to stop in the midst of a busy day – in a moment of time

Much is here made of The Waste Land, but far greater is Four Quartets

 

On VA Arntz, Man is disconnected from nature – yes, since the 17th century

 

On M Kalpagkian, excellent on Robert Frost – poet and philosopher

Cf. my friend Peter J Stanlis’ book with that title (ISI Books Delaware 2007)

When persons learn to be still, cf. Eliot, “Teach us to sit still”

To see and hear an eloquent, expressive world

A doe that returns their look – cf. my experience of a squirrel in Baltimore

A love that fills all of creation from the heart of reality

Wisdom grasps paradoxes that information does not comprehend

The hidden wonder and underlying mystery

 

On David Craig “Stealth Catholicism” – what a wonderful idea!

That is precisely true of WS, the way his Church simply must shine through

Look at GM Hopkins his great overtly Catholic poetry – too little in this issue

What we often end up is a prize-seeking religious mediocrity – how true!

“Pity the night/ The stars lose their shine”

I profess myself a fan of Angela Alaimo O’Donnell and her “hip-hop”

 

On Kevin Bezner (C Lux) praise of tea – cf the Japanese Way of Tea

Even when we don’t realize it, God is present in our lives

We’re hard-headed,,, but this begin to soften my heart

God is always with us, we’re not always with God

When I left Montana, I felt I was being expelled from Paradise

 

On A Livingston Sadly, I have never been a fan of David Jones

His constant insistence that truth is layered – how true of WS!

 

On N Fenollera a dazzling mystery, fascinating, beautiful and profound

The small details in the novel, all but glints, as clues

The first one who made children a model was God himself – yes, and

I would add baby Wisdom in Proverbs viii (in one translation)

I could not imagine a world without horses – or donkeys

We know what God can do with weakness – cf I Corinthians i

 

On D Longenecker Lewis and Eliot – different Anglicans, low and high

Eliot to the Harvard manor born/ More English than the English

Lewis as a “ruddy faced butcher” – exactly my first impression of him

Both men on the modern side of what Lewis calls “the Great Divide”

Cf. my book on Christendom v. Empire (BookWay 2012)

I applaud the versified poems of Lewis, over the modern ones of Eliot

The overpowering secularism that swept the world after WW2,

Yes, but there was a wave of religious vocations from 1945-55

 

On D De Marco I ventured to write to Pope JP2 on Evangelium Vitae

  “If you want readers, don’t write such long encyclicals”

Strictly speaking, the Greek words of the Sibyl are, “I want to die”

 

On K O’Brien “The darkling plain” is another echo by Arnold of WS

The Fool in KL i.4, “And we were left darkling”

On his blasted heath Lear speaks both with nature and against nature

In two speeches divided by the witless utterances of the Fool

As he identifies himself both with God and with the Man of Sorrows

It is by means of Lear’s madness that WS can criticize his Elizabethan age

 

On R Dreher How to tell the difference between lust and love?

The answer is given by WS in his Venus and Adonis 799-804

Dante teaches us about sin, about God, about, well, everything

Cf. my book, Much Ado About Everything (FastPencil 2012)

 

On David Craig (on Marjorie Maddox) Here we read through our misplaced

fascination with mass media and large-scale destruction into a more

personal stealthily Catholic version of what passes

I am fascinated by her Shakespearean poem starting with O –

I think there could be a whole anthology of such poems beginning with O

 

On M Martin Martin’s verses are laced with haunting, delirious freedom.

Here the veil between grace and nature is very thin – sacramental

Cf. De Caussade on The Sacrament of the Present Moment