As has become customary, I’m posting a sneak preview of the highlights of the next issue of the Saint Austin Review, which is now winging its way to the printers.

The theme of the next issue is “Great Works of the Catholic Revival”. Highlights include:

Gene Sullivan gives exclusive accounts of his meetings with Roy Campbell and Father Martin D’Arcy during the 1950s.

Katie St. Hilaire discovers “The Mystery of Suffering in ‘The Wreck of the Deutschland’”.

Donald DeMarco meditates upon the meaning of another Hopkins poem, ‘The Windhover’.

Pamela H. Tyrrell looks into the “Mirror Darkly” at The Picture of Dorian Gray by Oscar Wilde.

Marigrace Powers wakes up to the realization that Chesterton’s Man Who was Thursday is more than a nightmare.

Jon Coutts compares The Man Who was Thursday with another Chesterton classic, The Everlasting Man.

Paula L. Gallagher examines “The Prefiguration of T. S. Eliot’s Conversion in The Waste Land”.

Anne Marie Gazzolo praises “The Spiritual Journey of Frodo of the Shire”.

Deirdre Littleton admires “The Operation of Divine Grace in Brideshead Revisited”.

Fr. Dwight Longenecker is “black and white and Greene all over” as he looks at “Film Noir and the Work of Graham Greene”.

Susan Treacy waxes lyrical about Maurice Baring’s sonnets on Mozart, Beethoven and Wagner.

Fr. Benedict Kiely defends “Belloc the Historian”.

Kevin O’Brien defines the Universe and other things with the aid of the incomparable Chesterton.

James Bemis reviews another classic movie, George Cukor’s Little Women, starring Katherine Hepburn.

The full-colour art feature focuses on the “Art of the Blessed Virgin” by Cornelius Edmund Sullivan.  

Dena Hunt exposes the curiously heterodox theology of William Young’s odd bestseller, The Shack.

Joseph Pearce examines “the Right Royal Mess” in which his native land finds itself.

Kenneth J. Howell reviews two books on the Blessed John Henry Newman.

Dena Hunt “remembers Roy Campbell” in her review of the newly published Memoirs of his daughters.

New poetry by Philip C. Kolin, Mark Amorose and James Morris.

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